It’s digital publication day for Hawkwind: Sonic Assassins! (Why do I choose 23rd November… just like I did for Festivalized last year? Hmm… let me think… answers in the comments section please). The book is now circa 150,000 words, revised top-to-bottom, updated to 2016’s excellent The Machine Stops album and has new interviews and research.
Q: OK, so where’s the physical edition?
A: Coming, honest! The thing is, this update has been on the cards and being picked at for a long time, and without a mainstream publisher handling it, there’s never been a deadline to get it finished, and writers will tell you, nothing concentrates our minds like a deadline. So, to give myself a deadline I decided to do the eBook version first, since I could pre-list with Amazon and Smashwords and create myself a deadline to finish by. Next, I’ll turn my attention to the paperback edition.
Q: I’m a reviewer / blogger /podcaster / radio host and would like to chat about the book or receive a promo copy. How do I contact you?
A: I want to hear from you! Email me through my Profile page here, tweet me at Abrahams_Ian, or contact me on my FB:
www.facebook.com/ianabrahams.musicjournalist/
Q: What’s new?
A: There’s a lot of stuff through the text which is new. Since the book originally appeared in 2004 I’ve had the chance to interview various people who could add their bits and pieces to the story, such as Mick Farren, who I talked to for Festivalized about eighteen months before he died, and who told me, among other things, about writing ‘Lost Johnny’ with Lemmy for Hall of the Mountain Grill, or Dave Robinson (of Stiff Records fame) who worked at the legendary Roundhouse gig in 1972 where ‘Silver Machine’ was culled as a single from. There’s little bits from Crisipian Mills of Kula Shaker, and Porcupine Tree’s Steven Wilson from interviews for other things where I tacked-on a Hawkwind question at the end. I got to chat to Jerry Richards, absent from the original book, and, as part of updating the story, to Mr Dibs, Niall Hone, and Matthew Wright. And I was able to chat through different elements of the original book with Dave Brock and gain additional insights and reflections from him, as well as talking about the wonderful legacy of his band.
Q: Does the digital version contain pictures?
A: Indeed it does! Many of the illustrations from the original edition – though not all – are contained within the text of the eBook. And there are new photographs both archive and up-to-date. Had a big internal debate as to what to do, whether to go for text only, include a photographic section at the end of the book, or to scatter them through the text and, as with Festivalized last year, I’ve gone for spreading them across the story. Huge thanks to everyone who helped with this… and I couldn’t resist the caption for P!KN!K’s great shot of the band on-stage at Crystal Palace in 1985…
Great 'Peace' Sign!
Your Author, with the writer of 'Shot Down In The Night'!!!
Steve Swindells (L), Ian Abrahams(R)
Q: What’s happened to the ‘Tracks and References’ appendices from the original?
A: Didn’t do the same thing this time around but subsumed most of the information into the main text. Someone on Amazon wrote that the original didn’t seem to comment much on the lyrics, but that was largely in the appendices, so this time it’s part of the narrative instead. But those appendices were fun and frustrating to do, very much influenced by the TV programme guides of the 80s/90s by my friends Keith Topping, Martin Day, and Paul Cornell, so I’m tweaking them and blogging them and will get around to the albums released since 2004 as part of that.
www.sonicassassins-book.blogspot.co.uk
Q: Typos! They get everywhere…
A: There will be a digital reload, with an erratum listing any corrections made. Thing is, no matter how much you proof and re-proof, they slip through. I mention a gig in Swindon a couple of months after the events of 9/11 and describe the gig as being in November 2011… I meant 2001 of course!
Q: Favourite Hawkwind album?
A: Just like Matthew Wright in the book, it’s probably Astounding Sounds or Quark Strangeness & Charm. But it could be Live Seventy-Nine (because that’s when I first properly heard the band, travelling with my cousin to gigs at St Austell Cornwall Coliseum) or Electric Tepee, or Hall of the Mountain Grill. Depends on the day!
Q: Are you going to shut-up about Hawkwind now this is done?
A: Nope. Sorry!
